Frederick Hastings Rindge Collection

In the late 1990s, Ronald R. Rindge donated a collection of materials that had belonged to his grandfather, the philanthropist Frederick Hastings Rindge (1857-1905). Earlier this month, Frederick Hastings Rindge’s great-great-granddaughter, Melissa Rindge, came to visit the commission. CHC Executive Director Charles Sullivan showed Melissa a selection of Rindge items. This collection is comprised of materials relating to the Rindge family’s business interests in New England and Frederick Hastings Rindge’s donations to the city of Cambridge, including the Cambridge Public Library (1887), Cambridge Manual Training School (1888), and City Hall (1889).


Charlie showing Melissa the Cambridge Manual Training School Yearbook from the class of 1897.

Born to a wealthy textile merchant family in Cambridge, Massachusetts on December 21, 1857, Frederick Hastings Ridge grew up to become a successful businessman. Rindge was privately tutored before continuing his education at Harvard. The passing of his parents in the late 1880s left him with an inherited estate of approximately 2 million dollars.


Portrait of Frederick Hastings Rindge from his book Happy Days in Southern California.

The Cambridge Historical Commission is proud to house the Frederick Hastings Rindge Collection, which contains materials from 1852-2001. Included are correspondence, photographs, financial records, family papers, and architectural drawings, among other items.


Ledger page detailing real estate and property inventory, 1 July 1893.

Rindge’s business interests in New England comprised a number of textile mills and manufacturing companies and he owned a large number of real estate properties, mostly inherited from his father. Many of our records represent the family business as well as Rindge’s philanthropic efforts.


Photograph of Monadnock Mills, located in Claremont, New Hampshire c. 1890s.


Monadnock Mills comparison financial statement, 31 May and 30 November 1897. Francis J. Parker was one of Frederick Hastings Rindge’s business managers.


Happy Days in Southern California was published in 1898. The book begins with a history of this region and follows with descriptions of animals, flora, and scenery.

In 1888 Rindge relocated to California, where he purchased large tracts in Los Angeles and a 17,000-acre Spanish land grant north of Santa Monica that is now occupied by the town of Malibu. Between 1888 and 1890, Rindge’s old schoolmate, William E. Russell, then Mayor of Cambridge, urged him to fund the construction of a number of projects in Cambridge, including the Cambridge Manual Training School (later renamed the Rindge Manual Training School and now the Cambridge Rindge and Latin High School). Rindge hired the architects, superintended the construction, hired the faculty, reviewed applications from students, and supported the school for five years before turning it over to the city. Because Rindge was living in California, all these matters were the subject of extensive correspondence with his agents in Boston.


Rindge Manual Training School Register, March 1903.


Photograph of the Rindge Manual Training School baseball team, 1925.

Many records held in the collection relate to the Cambridge Manual Training School and Camp Rindge, a summer camp program for the CMTS students at Lake Winnipesaukee, NH.


A tent erected at Camp Rindge, c. 1893.

This collection is open for viewing and research at the Cambridge Historical Commission. Stop by during our research hours: Monday: 4:00-7:00PM, and Tuesday/Thursday: 9:30-11:30AM and 2:00-4:00PM, or feel free to call and make an appointment with our archivist!

New! Boston Globe Donation

Last week, we received a special visit from Richard Pennington, a former librarian for the Boston Globe. Mr. Pennington and Lisa Tuite, the Globe’s Head of Library, donated seven boxes of newspaper clippings from the Globe’s newspaper clipping morgue. The clippings date from 1900 to around 1977 (with some from the 1980s) and include interesting news stories and information pertaining to Cambridge. The stories come not only from the Boston Globe, but from other newspapers and publications, including the Boston Herald and the Transcript.


The newspaper clippings are arranged by subject, and they run the gamut of topics related to Cambridge history: from specific Cambridge buildings (of particular interest to the Commission), to local politics, to schools, historic riots, and Cambridge businesses.


According to Pennington, “The Globe was clipped from around 1900 until it went electronic in 1977 – it was  the first newspaper to store its content in a computer for retrieval.” The content of the clipped, indexed and filed newspaper clippings often depended on the preference of the librarian at the time.  Pennington also added that, “The city desk also had a decades-long policy of sending ephemera to the library to be added to the clipping files, and this included small photographs. Occasionally odd book chapters and magazine articles were added to the files.”


Pennington helped with the recent and ongoing transition of the Boston Globe Library’s collections to new institutions, as the Globe relocates from their Morrissey Boulevard location back to downtown Boston. Pennington was assistant librarian at the Globe when he left in 2007. The large majority of the Boston Globe clippings collection was transferred to Northeastern University — however, the Cambridge Historical Commission was fortunate enough to receive a great portion of this collection for our research files.

The newspaper clippings will be processed, cross-indexed with our architectural inventory files, and a finding aid will be created for researchers. The collection is currently not open for research.




The Archivists’ Corner: Getting to know your CHC archives staff, Part 2

This month, we are highlighting our fabulous archives staff here at the CHC.  Our part-time archives assistants, interns and volunteers do it all — from processing collections and writing finding aids, to cataloging the research library, taking care of fragile objects and collections materials, and promoting it all on social media.

Our second staff post features Meta Partenheimer, Digitization Assistant.

Hi, my name is Meta, and I work at the Cambridge Historical Commission as a Digitization Assistant. Before beginning my work, I started at the CHC through an internship while taking a course at Simmons, and came back to volunteer over the winter break.


Meta with the survey files!


A quick snapshot of the stacks I took last fall during a tour at the Massachusetts Historical Society.

I grew up in a small town in east-central Illinois, and attended college at the University of Illinois at Urbana-Champaign. While attaining my undergraduate degree in art history, I recognized that I loved spending time browsing the stacks and researching, and wanted to facilitate that experience for others.

After school, I moved to Oklahoma City where I worked for The American Pigeon Museum & Library, and the Oklahoma Historical Society. Working at these institutions helped me realize I wanted to become an archivist, and I decided to apply to the Master of Library and Information Science program at Simmons. Currently, I am halfway through my work towards an MLIS with an archives concentration. In addition to working at the CHC, I also intern at the John F. Kennedy Library.


A collection of racing homer photographs from The American Pigeon Museum.

My dream job would be professional beer tester—but I think more realistically I would love to work as an archivist with the Archives of American Art in Washington, DC. When I’m not archiving or catching up on homework, you can probably find me listening to a true-crime podcast, going to the gym, or catching up on my favorite British drama shows.

Fun facts about me:

  • My first paying job was detasseling corn the summer before I turned thirteen.
  • I have a cat named Winslow

Winslow at Christmastime on the farm in Illinois.

  • I am an avid fan of the Oklahoma City Thunder

My first OKC Thunder game vs. the Milwaukee Bucks.

One of the strangest things I’ve discovered during my archival career was with the Manuscripts department at OHS. One summer, we were charged with collecting and preserving items from the State Capitol Publishing Museum, which had been closed for a number of years. While recovering a drawer of documents, I came across a small mummified mouse which my colleagues and I dubbed “Frontier Mouse.”


Each drawer on this wall held a blank book of forms for orders, permits, and other paperwork. I found “Frontier Mouse” in the top row.

So far, my favorite archival find at the CHC is a collection of cyanotypes that were taken during the construction of the subway system in Boston, Cambridge, and surrounding areas.


Cyanotype titled “Kendall Sq. Station” from the Boston Elevated Railway (BERy) Collection, dated 28 March 1910.

Currently, I am working on digitizing our architectural survey files, processing collections, and creating posts on CHC social media.


The Archivists’ Corner: Get to know your CHC archives staff

This month, we are highlighting our fabulous archives staff here at the CHC.  Our part-time archives assistants, interns and volunteers do it all — from processing collections and writing finding aids, to cataloging the research library, taking care of fragile objects and collections materials, and promoting it all on social media.

Our first staff post features Emily Magagnosc, Archives Assistant.

Emily grew up in the Philadelphia suburbs. Her mom is a librarian and her grandma volunteered in her local public library, so clearly Emily was destined to go into libraries. She went to undergrad at Smith College in Northampton, MA, and while there she worked in the Calvin Coolidge Presidential Museum and Library, which was the best job she’d ever had and led her to apply to the Graduate School of Library Science at Simmons College. She just finished her first year there and is very excited about all of her classes.


Emily in her library cataloging corner.

Emily lives with three roommates and three cats in Brighton. The most interesting thing she has found on the job is a collection of recorded (written) confessions from the early days of the church in Northampton. When she is not archiving, she is watching Parks and Recreation on repeat, listening to loud punk music, knitting, doing inappropriate embroidery, reading,  and petting her cat, Russell.


Sushi Russell.


Russell Pt. 2.

Emily is working on cataloging the research library at the CHC. She also recently designed posters for the 2017 Cambridge Open Archives, writes blog and Instagram posts, and gets overly excited about the cool stuff in the archive. Her dream job is working in a women’s history collection like the Sophia Smith Collection at Smith or the Schlesinger Library at Harvard.


A print from the William Galvin Collection, one of many architectural drawings and designs that Emily cataloged and photographed over the past several months.

Boston Elevated Railway (BERy) Photograph Collection

In July 1891, owing to dense streetcar traffic, a result of increasing populations and the industrial strides of the late nineteenth century, a Rapid Transit Commission was created to resolve the transportation dilemma of Boston and its neighboring communities.


Proposed Location, Underground Structures for Main St., 19 May 1909

The commission researched traffic conditions in the city’s densest areas, namely Tremont Street, and presented a report recommending construction of an elevated railway system and a tunnel for streetcars to alleviate congested conditions in Boston and surrounding areas. Citing this report, the Massachusetts Legislature approved the Boston Elevated Railway Company (BERy) for incorporation on July 2, 1892.[1]


Brattle Square Progress on Excavation, 15 November 1909

The Cambridge Historical Commission holds approximately 1,000 glass negatives taken by the Boston Elevated Railway between 1899 and 1912. These images primarily document the construction of the Cambridge Subway in 1909-1912.


South Side of Mass. Ave. from Brookline to Pearl Street, 17 February 1909

The Commission also holds a collection of about 200 cyanotypes donated by Frank Berry. These prints were made from negatives that are not held in the CHC collections. Many of the cyanotypes in the collection depict the construction of the Charles River dam and viaduct.


Charles River dam, lower side looking toward Cambridge, 31 July 1907


Charles River Bridge, Foundation #4, 1 December 1907

Others document the construction of the underground tunnel on Brattle Street.


Brattle Street, 20 June 1910

General William A. Bancroft was president of the Boston Elevated Railway from 1899 to 1916 and proved a great influence in expanding the lines in Cambridge.[2] In the words of one writer at the Cambridge Chronicle, “No suburban city is more vitally interested in rapid transit than Cambridge.”[3]


Looking down Mass. Ave. incline, 15 November 1911

The Commission holds several boxes of BERy photos in the archives as well as vertical research files in our main office. To research our BER-y photographs and related collections, please contact our archivist, Emily Gonzalez by e-mail at or by phone at 617.349.4683.


[1] Massachusetts Bay Transportation Authority, “The Rapid Transit Commission and the BERY,” MBTA > About the MBTA > History. Accessed May 15, 2017.

[2] Susan E. Maycock and Charles M. Sullivan, Building Old Cambridge. Cambridge: MIT Press, 2016.

[3] “What it Means to Cambridge,” Cambridge Chronicle (Cambridge, MA), May 12, 1894. Retrieved from

Researching Your Building at the CHC

May is Preservation Month, and over the next few weeks we will be posting about a couple of preservation-related archival projects that we are working on over here at the Commission.

Here at the Cambridge Historical Commission, our holdings are centered on the built environment of the city, with strong collections on the social, business, and industrial history of Cambridge. Formats include photographs, manuscripts, architectural plans, and books, among other mediums. The most valuable intellectual asset of the Commission is our collection of architectural survey files, documenting the history of every building (over 13,000) in Cambridge.


An example of an architectural survey form from CHC’s files. Between 1964 and 1977, the commission surveyed and photographed every building in Cambridge.

As our largest collection, the architectural survey files contain architectural survey forms, photographs, news clippings, and like materials for buildings in Cambridge.



The Executive Director of the CHC, Charles M. Sullivan, documented interior and exterior conditions before this home underwent renovations in the early 1980s.

Each file holds documents on every current building in Cambridge as well as records of many demolished buildings. An address may contain one sheet or boast an entire file folder depending on its history in the community.


Many files contain a history of the address from its original purchase. These documents contain valuable information including dates and prices of sale or taxes, and a description of the building.

These files are used quite frequently by architects, building managers, or homeowners, and are open for research.


Included in some files are newspaper clippings regarding the building’s history or current projects. This clipping from 1983 details a renovation project at this home on Otis Street.

As these files currently exist only in physical format, a patron must perform any research with our survey files in-person. The Commission is currently embarking on a pilot digitization project to improve access. This project will facilitate the creation of a searchable and browsable database, which will allow us to upload and share our survey files online.


Taken by Alex Beatty in 1988, this image depicts the finished renovation of 67-69 Otis Street. Image courtesy of the Cambridge Historical Commission.

Please feel free to contact the Cambridge Historical Commission to explore the history of your property. Our research hours are Mondays 4:00-7:00pm, and Tuesday through Thursday 9:30-11:30am and 2:00-4:00pm. Check our blog often for updates on our other projects, and for news on when our digital files will be accessible!

Cambridge Recreation Department Collection

The Cambridge Recreation Department Collection is now processed and available for research! This collection was donated to the Cambridge Historical Commission in August 1995 by Curtis Gaines, an employee of Human Services.

The Collection

This collection includes scrapbooks, books, and photographs that once belonged to the Recreation Department, as well as photographs that were already in the possession of the CHC. Much of the materials consist of City Council orders concerning park maintenance and upkeep, as well as department financial matters. The collection also includes budget appropriations materials, planning materials for parks and playgrounds, and department reports.


Preliminary Design for the Proposed Observatory Hill Park, Cambridge Planning Board, March 1950. Courtesy of the Cambridge Historical Commission.

A Brief History of the Recreation Department

The Cambridge Recreation Department was established in 1892 as the Cambridge, Massachusetts Park Commission. The Board of Park Commissioners with chairman General E. W. Hincks were now tasked with providing Cambridge citizens with a worthy park system. Previously, Cambridge only had a few poorly planned and maintained public parks with no public programs.


Cambridge City Council Order March 29, 1892, ordering “…the Committee on Parks be directed to consider and report upon the advisability of purchasing a tract of land…” Courtesy of the Cambridge Historical Commission.

The commissioners hired landscape architect Charles Eliot and his firm, Olmsted, Olmsted, & Eliot to improve the existing parks and plan new ones in poorer, more congested neighborhoods. In 1894, the city acquired Donnelly Field in East Cambridge, Rindge Field in North Cambridge, and the entire Cambridge frontage of the Charles River. The latter section gave the department 800 acres of mud flat and degraded salt marsh by eminent domain and by 1914 a park was created along the length of the city’s shoreline. In 1910, the city began to construct playgrounds and to operate recreation programs there, and these functions expanded after the riverfront park was transferred to the Metropolitan District Commission in 1921.


City Council Order asking that the Park Commissioners purchase “Jerry’s Pit” to create a swimming pool. Dated April 7, 1914. Courtesy of the Cambridge Historical Commission.

Maypole events were organized by the Cambridge Park Commission in the 1920s and 1930s. After the crowning of a “May Queen,” the young and gaily attired girls of the city would dance around the Maypole. Following this ceremony, there would be music, baskets of flowers, and other spring-themed activities for the children.


This image depicts a scene from a May festival on the Cambridge Common c.1925. Courtesy of the Cambridge Historical Commission.

After World War II, the responsibilities of the Park Commission were divided between the Department of Public Works and the Human Services Department. DPW began to oversee the parks, while Human Services took over recreational programs.


A group of teenagers posing on the ice during the 1940s. Three are holding hockey sticks. Courtesy of the Cambridge Historical Commission.

We will soon be adding images from this collection to the Cambridge Recreation Department Collection on the Cambridge Historical Commission Flickr page. Follow us on Flickr and Instagram to stay up-to-date!

Cambridge Open Archives 2017: Living & Dying in Cambridge

Join us for the 9th Annual Cambridge Open Archives, June 19-22, 2017! 

This event is FREE but registration is required. Sign up here.

What is Open Archives? For four days, seven Cambridge repositories and special collections will open their doors to the public to showcase some of their most interesting materials — and the tales that go along with them. This year, our participants will present collections materials that fit with the theme of “living and dying in Cambridge.”

Our participants this year: Mount Auburn Cemetery, The Peabody Museum of Archaeology & Ethnology at Harvard University, the Harvard Semitic Museum, Longfellow House – Washington’s Headquarters, The Cambridge Historical Society, The Cambridge Room (Cambridge Public Library), and the Harvard Art Museums Archives.

William Lawrence Galvin Collection Architectural Drawings

In today’s post, our archives assistant Emily shares some of her favorite drawings from an enormous architectural collection in our archives. While this collection is still undergoing conservation work, much of it is available for research.

William Lawrence Galvin was an architect prominent in Cambridge during the mid-twentieth century. A native of Roxbury, his family moved to Cambridge so Galvin could prepare for Harvard. He graduated with a BA in Fine Arts in 1925 and a master’s degree in architecture in 1931. Galvin’s interest in architecture began during his undergraduate education. He opened a real estate office while still at Harvard and launched his own architecture firm following his graduation from the Harvard School of Architecture. Over his 50 year career, Galvin deeply impacted the landscape of Cambridge, contributing several well-known buildings to the city, including the Cambridge Federal Savings and Loan building which is no longer standing.


Cambridge Federal Savings and Loan Ass’n front elevation, n.d. Negative photostat. William Lawrence Galvin Collection, CHC.

Over the last 6 months, I have worked extensively with this collection, reprocessing and cataloging Galvin’s architectural drawings. Many of the buildings he designed were never built, including his proposal for a high-density apartment building at 680 Huron Avenue overlooking the Fresh Pond golf course.


Apartments Overlooking Fresh Pond… Proposed apartment building at 680 Huron Ave, n.d. William Lawrence Galvin Collection, CHC.

My favorite drawings, however, are student work. As part of his degree program, Galvin created several large scale drawings of buildings, like this “Bank for a Small City” which includes a cross section, front elevation, and floor plan.



Bank for a Small City, n.d. Ink and watercolor on heavy paper. William Lawrence Galvin Collection, CHC.

This front elevation was submitted to the Boston Society Competition.


Boston Society Competition, n.d. Ink and watercolor on heavy paper. William Lawrence Galvin Collection, CHC.

Another front elevation is labeled “Municipal Employment Bureau” as part of the design of the building.


Municipal Employment Bureau, n.d. Ink and watercolor on paper. William Lawrence Galvin Collection, CHC.

Galvin’s thesis project was a design for a Cambridge Memorial Auditorium to be built in Cambridge Common. Several drawings exist of his design, which he later revised to submit to the mayor Cambridge.


Cambridge Memorial Theatre, ca. 1931. Ink on paper. William Lawrence Galvin Collection, CHC.


Cambridge Memorial Theatre, ca. 1931. Photostat. William Lawrence Galvin Collection, CHC.


Cambridge Memorial Theatre, ca. 1931. Photostat. William Lawrence Galvin Collection, CHC.


Cambridge Memorial Auditorium, Expanded for Mayor Russell, n.d. Original drawing. William Lawrence Galvin Collection, CHC.

This unlabeled front elevation, probably of an apartment building, is a beautiful example of Galvin’s student work.


Unlabeled front elevation, n.d. Watercolor on paper. William Lawrence Galvin Collection, CHC.

My favorite of Galvin’s student works is this “Byzantine Church.” The detail is exquisite, especially the inclusion of frescoes in the dome of the church.


A Byzantine Church of the First Golden Age, n.d. Watercolor on paper. William Lawrence Galvin Collection, CHC.

Many of the drawings in this collection show evidence of damage due to the poor conditions they were found in. Galvin stored his drawings in rolls, and after his death in 1983 they were left untouched. The collection was donated by property developers Martin Hill and Lauren Harder who acquired the building from Galvin’s daughters in 2011. Several of the damaged drawings were in such poor condition that they couldn’t be restored, however efforts were made to restore many other drawings.

Processing and cataloging the collection has been a long process, and there is still more to be done. For more information, see the finding aid for this collection.

The Ellis & Andrews Real Estate Collection

For the past several weeks, our Spring 2017 Simmons archives intern, Chun Yu Tsui, has been working on re-processing the Ellis & Andrews real estate collection. This collection was donated to the CHC in 1994 by Helen Moulton, owner and president of the Ellis & Andrews real estate firm from 1979-1994.

As part of the re-processing project, Chun Yu has reorganized the first two boxes from the collection; mainly, changing a box of real estate correspondence from chronological order to alphabetical order. Since so many of the letters received by Ellis & Melledge (the original company name) mentioned specific streets and addresses for sale, we thought reorganizing the correspondence alphabetically would be much easier for researchers.

In addition to finding out about the history of the oldest real estate firm in Cambridge, researchers might now be interested in finding information on the history of their home or building lots. The reorganization of the real estate correspondence will now allow researchers to search for their street or address by name.

Below, read about the collection and Chun Yu’s experience reprocessing a huge box of correspondence from 1893-1896.

Background on Ellis & Andrews*

Established in 1888, the firm of Ellis & Andrews was Cambridge’s oldest real estate company.  First located at 910 Main Street (now Massachusetts Ave.) in Quincy Square, it was founded by William Rogers Ellis as the Ellis Real Estate & Insurance Company.  In 1893, Cambridge native Robert Melledge joined the firm, which was renamed Ellis & Melledge, it moved to the Lyceum Building (now the Harvard Cooperative Society).  In 1903 William Ellis died and Melledge extended partnership to Ellis’s son, Benjamin Pierce Ellis.  Two years later Benjamin left the company to work independently, and in 1913 Melledge moved his firm to its present location in the Brattle Building at 4 Brattle Street, Cambridge.  In 1917 Robert Melledge died and Benjamin Ellis returned to succeed his father.  In 1920 he joined Cambridge real estate veteran Edward A. Andrews in business and the firm became Ellis & Andrews.  Seven years later Edward Bowditch joined the company as an agent; by 1928 he was a co-owner.  Edward Andrews died in 1936, and the firm was subsequently renamed Ellis & Bowditch.  His son, Dwight Andrews, continued to work as an agent until he was called to duty in World War II.  After the war, Dwight Andrews returned and the firm was again called Ellis & Andrews.  In 1955, Andrews became sole owner; in 1961 John Norris joined as a partner; and in 1979 Helen Moulton bought the agency and became the president.  The agency lost its independent status when it merged with another firm in 1994.


This is an example of correspondence to Ellis & Melledge from a Cambridge resident, Mrs. Charles Goodhue. In the letter, Mrs. Goodhue writes, “I want a house with 8 or 9 sleeping rooms – including servant’s room.”

The Collection*

The Ellis & Andrews Collection contains both business and personal correspondence from c. 1889 to 1986, with the bulk of the material from 1890-1935. These materials are organized in several individual archival boxes, which are then stored in five larger boxes. The collection contains various forms of printed material, including correspondence (business and personal); interviews from local newspapers; real estate advertisements; sales ledgers; a daybook (business transactions); postcards; invoices; and notes on a history of the Ellis-Andrews Insurance Agency.

The files of a personal nature contain correspondence between Edward and Elizabeth Andrews, and information on the estate of Edward Andrews. Biographical information (including obituaries) can be found on William Rogers Ellis, Benjiman P. Ellis, Robert J. Melledge, and Edward A. Andrews. There are also two files on Dwight Andrews which contain a variety of materials, but most of the information is from the 1980s.


This is an example of correspondence to Ellis & Melledge from a Cambridge resident. The resident writes, “I wouldn’t advise being too stiff on prices for rooms. Don’t refuse a reasonable offer from good man.”


This example of correspondence to Ellis & Melledge from W.A. Mason & Son shows the scenario of three surveyors measuring distances for engineering work, indicating how the city of Cambridge was developed in the late 19th century.

Reorganizing the Collection

The “Scope and Content” note in the original finding aid created by Matthew Hall in April 1995, and reformatted by Megan Schwenke in April 2012, only describes one of the small document boxes located in one of the collection’s five huge white storage boxes. Therefore, apart from double-checking the box that was already processed, five weeks ago I as an intern started sorting through another box of documentation and correspondence from the collection, marked “1893-1896”. Those materials were originally sorted by year, but this form of arrangement might not be very helpful for researchers to find the desired documentation, especially for this box containing materials only within such a short period. With the guidance given by my supervisor, I decided to alphabetize the correspondence by address in order to foster easy searching, and then to rearrange the series and update the finding aid accordingly. Unfortunately, I could not finish processing everything in that box before the end of my internship, since that box contains too much documentation, many of it written in illegible or complex handwriting. Yet, this valuable experience really opens my eyes to approaching archival materials in the late 19th century.



This business postcard shows notes from W.A. Mason & Son, located in Central Square, Cambridge, a civil engineering and surveying company which Ellis & Melledge partnered with in the late 19th-century.

Click the following text to open the Ellis & Andrews Collection finding aid. Please note: this collection is currently being reprocessed, and the finding aid linked here may not be the most recent version. The collection is still open for research, however, so please contact the Archivist for more information.

*The background and collection notes are taken from the collection finding aid.